May 6, 2022
Randall shows Chris some of Hitler's favorite artists, and some of Hitler's own paintings.
***
Download slides here: https://mega.nz/file/VpllnD4D#hy3_24eqWYTHTM3SR3x2XNOACkZ57XmwC5_8kBd1a0I
***
Hitler's favorite fine artists according to Albert Speer:
1) Eduard von Grützner
2) Wilhelm Leibl
3) Hans Thoma
4) Hans Makart
5) Carl Spitzweg
6) Arno Breker
7) Paris Bordone
8) Titian
9) Anselm Feuerbach (Nana)
10) Giovanni Paolo Panini
11) Eduard von Steinle
***
In the book, The Mind of Adolf Hitler, Hanisch reports: "He (Hitler) was never an ardent worker, was unable to get up in the morning, had difficulty in getting started, and seemed to be suffering from a paralysis of the will."[6]
***
This episode based on Inside the Third Reich, 1970 edition, first US printing
You may read a different edition online here: https://archive.org/details/Inside_the_Third_Reich_Albert_Speer
...
p43
One of Hitler's as well as Hoffman's favorite painters was Eduard
Grützner...
...
For all departments of art Hitler regarded the late nineteenth
century as one of the greatest cultural epochs in human history.
That is was not yet recognized as such, he said, was only because
we were too close to it in time. But his appreciation stopped at
Impressionism, whereas the naturalism of a Leibl or a Thoma suited
his activistic approach to art. Makart ranked highest; he also
thought highly of Spitzweg. In this case I could understand his
feeling, although what he admired was not so much the bold and
often impressionistic brushwork as the staunch middle-class genre
quality, the affable humor with which Spitzweg gently mocked the
small-town Munich of his period.
...
p90
Along the opposite wall stood a massive chest containing built-in
speakers, and adorned by a large bronze bust of Richard Wagner by
Arno Breker. Above this hung another tapestry which concealed the
movie screen. Large oil paintings covered the walls: a lady with
exposed bosom ascribed to Bordone, a pupil of Titian; a picturesque
reclining nude said to be by Titian himself; Feuerbach's Nana in a
very handsome frame; an early landscape by Spitzweg; a landscape of
Roman ruins by Pannini; and surprisingly, a kind of altar painting
by Eduard von Steinle, one of the Nazarene group, representing King
Henry, founder of cities. But there was no Grützner. Hitler
occasionally let if be known that he had paid for these paintings
out of his own income.
...
Occasionally the movies were discussed, Hitler commenting mainly on
the female actors and Eva Braun on the males. No one took the
trouble to raise the conversation above the level of trivialities
by, for example, remarking on any of the new trends in directing.
Of course the choice of films scarcely allowed for any other
approach, for they were all standard products of the entertainment
industry. Such experiments of the period as Curt Ortel's
Michelangelo film were never shown, at least not when I was
there.
...
Later, during the war, Hitler gave up the evening showings, saying
that he wanted to renounce his favorite entertainment "out of
sympathy for the privations of the soldiers." Instead records were
played. But although the record collection was excellent, Hitler
always preferred the same music. Neither baroque nor classical
music, neither chamber music nor symphonies, interested him. Before
long the order of the records became virtually fixed. First he
wanted a few bravura selections from Wagnerian operas, to be
followed promptly with operettas. That remained the pattern. Hitler
made a point of trying to guess the names of the sopranos and was
pleased when he guessed right, as he frequently did.
...
p27
To decorate the Goebbels house I borrowed a few watercolors by
Nolde from Eberhard Hanfstaengl, the director of the Berlin
National Gallery. Goebbels and his wife were delighted with the
paintings—until Hitler cane to inspect and expressed his severe
disapproval. Then the minister summoned me immediately: "The
pictures have to go at once; they're simply impossible!"
...
p42
Thus, in the realm of architecture, as in painting and sculpture,
Hitler really remained arrested in the world of his youth: the
world of 1880 to 1910, which stamped its imprint on his artistic
taste as on his political and ideological conceptions.
***
Topics discussed include:
Rudolf von Alt
birth of the modern world
Reich Culture Chamber
Abstract art
Emil Nolde
Eduard von Grützner
Wilhelm Leibl
Hans Thoma
Hans Makart
Carl Spitzweg
Arno Breker
Richard Wagner
Paris Bordone
Titian
Anselm Feuerbach (Nana)
Reich Culture Chamber
The Degenerate Art Exhibition
Jazz
Swing Kids (1993)
Fraktur
https://chrisandrandall.com/ep32-does-art-influence-the-public-mind-part-3-of-3-authoritarians-and-the-cias-art-war
***
Timeline:
1863 -- Salon de Refuses
1910 -- First abstract painting
1914 -- WWI
1919 -- Bauhaus founded
1933 -- Hitler attains power in Germany
1933 -- Reich Culture Chamber established with Goebbels in
charge
...
Goebbels and some others believed that the forceful works of such
artists as Emil Nolde, Ernst Barlach and Erich Heckel exemplified
the Nordic spirit; as Goebbels explained, "We National Socialists
are not un-modern; we are the carrier of a new modernity, not only
in politics and in social matters, but also in art and intellectual
matters."[14] However, a faction led by Rosenberg despised
Expressionism, leading to a bitter ideological dispute which was
settled only in September 1934, when Hitler declared that there
would be no place for modernist experimentation in the
Reich.
Also outlawed Jazz and the font Fraktur
...
1933 -- Bauhaus closes
...
The Nazi movement, from nearly the start, denounced the Bauhaus for
its "degenerate art", and the Nazi regime was determined to crack
down on what it saw as the foreign, probably Jewish, influences of
"cosmopolitan modernism".[1]
...
1937 -- The Degenerate Art Exhibition
...
Hitler had been an artist before he was a politician—but the
realistic paintings of buildings and landscapes that he preferred
had been dismissed by the art establishment in favor of abstract
and modern styles. So the Degenerate Art Exhibition was his moment
to get his revenge. He had made a speech about it that summer,
saying "works of art which cannot be understood in themselves but
need some pretentious instruction book to justify their existence
will never again find their way to the German people".
***
recorded April 21, 2022
***
Visit us at https://chrisandrandall.com/